• Interaction of Musicians and Audience during Performances of Hindustani Classical Music 

  Meddegoda, Chinthaka Prageeth; Dias, Ruwin R. (2013)
• Adaptation of the Harmonium in Malaysia: Indian or British Heritage? 

  Meddegoda, Chinthaka Prageeth (2013)
• Voice Cultures in Hindustani Classical Music 

  Meddegoda, Chinthaka Prageeth (2014)
• The Audiovisual Research Collection for Performing Arts (ARCPA) at Universiti Putra Malaysia: Negotiating Ethical Issues in Social Sciences 

  Meddegoda, Chinthaka Prageeth; Musib, Ahmad Faudzi; Jähnichen, Gisa (IASA Journal, 2014)
• Ethnic Labelling: Malaysian Perception on Indian Performing Arts and its Impact on Malay Music 

  Meddegoda, Chinthaka Prageeth (2015)
• Experiencing the Viola in Hindustani Classical Music 

  Meddegoda, Chinthaka Prageeth; Jähnichen, Gisa; Dias, Ruwin Rangeeth (2015)
• Instrumental Ghazal Melayu: A Functional Analysis 

  Meddegoda, Chinthaka Prageeth (2016)
• ගසල්: ගායන විශේෂයක්ද නැතහොත් කාව්‍ය විශේෂයක්ද? 

  Meddegoda, Chinthaka Prageeth (Aesthetic Education Unit, Bathtyharamulla, 2016)

  Attached
• Appropriation of Hindustani Musical Elements in Vocal Parts of Malay Ghazal 

  Meddegoda, Chinthaka Prageeth (University of Malaya, 2016)

  Attached
• The Story of a Failed Business Concept: Intensifying a Drum Production in Sri Lanka 

  Meddegoda, Chinthaka Prageeth (2017)

  Full Paper
• Innovation and Human Failure in Small-Scale Archives - What Do We Need to Learn from Each Other? 

  Musib, Ahmad Faudzi; Homsombat, Thongbang; Meddegoda, Chinthaka Prageeth; Jähnichen, Gisa; Mei, Xiao (IASA Journal, 2018)

  Attached
• Oral Teaching systems versus Ongoing Canonization in Hindustani Vocal Practice. 

  Meddegoda, Chinthaka Prageeth (2018)

  Attached.
• Musical instruments in local taxonomies: The Case of Sri Lankan String Instruments as Perceived through Internet Sources 

  Meddegoda, Chinthaka Prageeth (2018)

  As a mainstream Buddhist country since 300 BC Sri Lankan clergy did for a long time period not permit string instruments as Buddhist sources said listening or playing vina (lute) may cause rebirth and hinder the way to ...
• Moving and Moved Singers: Non-Vocal Embodiments of Vocal Expressions in the Era of Mass Media. 

  Meddegoda, Chinthaka Prageeth; Jähnichen, G. (2019)

  This paper is dedicated to physically moving and emotionally moved singers who combine non-vocal embodiments as an essential content of what their singing conveys. The terms “movement of singers” and the “singers being ...
• Field Report: The Orang Kling of Sumatra’s West Coast and their Musical Self. Voicing the Unheard: Music as Windows for Minorities. 

  Meddegoda, Chinthaka Prageeth; Jähnichen, G. (2019)

  In January and February 2014, the authors went on a fieldtrip to Sumatra’s West Coast with Padang as its centre aiming at discovering and analysing traces of Indian music practices within modern Sumatran society. This ...
• "Ghazal". The SAGE International Encyclopedia of Music and Culture. 

  Meddegoda, Chinthaka Prageeth (Thousand Oaks: SAGE Publications, 2019)

  Attached
• Playing Non-Music on the Sri Lankan Horanawa 

  Meddegoda, Chinthaka Prageeth (Studia Instrumentorum Musicae Popularis (New Series) VI. Ed. by Gisa Jähnichen. Berlin: Logos, 189-206., 2019)

  The Sri Lankan version of the double-reed oboe, the horanawa, has been and is still important to Sinhala Buddhists since it symbolizes “spiritualty” and “locality” in the Sri Lankan cultural context. Usually, the Buddhist ...
• The Cultural Function of the Horanawa. Double Reeds along the Great Silk Road. 

  Meddegoda, Chinthaka Prageeth (International Council for Traditional Music (ICTM) Colloquium, 2019)

  The horanawa is the Sri Lankan version of the double-reed instrument, which can be found in other cultures with similar shapes and playing techniques under different names. The horanawa has been important especially to ...
• The Parsi Theater as a Cultural Channel between South and Southeast Asian Cities. 

  Meddegoda, Chinthaka Prageeth (Journal of Urban Culture Research, 20: 44-53, 2020)

  This paper is to analyze different cases from the Malay world, Sri Lanka, and Myanmar with historical methods as well as from the perspective of current musical practice. Constructions of historical awareness and some ...
• Hindustani Classical Music in Sri Lanka: A Dominating Minority Music or an Imposed Musical Ideology? AEMR 

  Meddegoda, Chinthaka Prageeth (2020)

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