• Indian Ālāp and Vietnamese Dạo: A Study on Teaching Individual Creativity 

  Jähnichen, Gisa (Música em Contexto, 2019)

  In this study, the transmission of some essentials in music tradition from two different places in Asia, namely India and Vietnam, is taken as a metaphor to be further applied on cultural and social analysis in order ...
• The Musical Representation of Sri Lankan Kaffirs 

  Abeysekara, Geethika; Meddegoda, Chinthaka Prageeth (AEMR, 2023)

  This study presents a very small community within the Sinhalese context of Sri Lanka in light of academic interest: the Kaffirs. Their communal history reaches far back into colonial times, and they did not distinguish ...
• The Mandoharp of Amaradheva and Its Use in the 1980s and 1990s 

  Meddegoda, Chinthaka Prageeth (Studia Instrumentorum Musicae Popularis, 2023)

  The discrimination of instrumental sound in the evaluation and appreciation of Amaradheva’s (born in 1927, passed away in 2016) performances lead to a big gap between praising vocal achievements and using his unique ...
• Review of ‘Jim Sykes (2018). The Musical Gift: Sonic Generosity in Post-War Sri Lanka 

  Meddegoda, Chinthaka Prageeth (AEMR, 2022)

  The author’s efforts to draw a cartography of music practices in Sri Lanka and proposing terms such as musical gift, musical giving, and sonic generosity using the views and practices of Sri Lankan drumming, ritual ...
• Ethics of Sound Quality in Online Teaching, Learning and Conferencing: Perspectives Gained during the Covid Pandemic 

  Ahmad, Faudzi Musib; Meddegoda, Chinthaka Prageeth; Jähnichen, Gisa; Xiao, Mei (IASA, 2023)
• Hierarchies in Local Drumming Practices of Sri Lanka and the Art of Sustaining Traditions 

  Meddegoda, Chinthaka Prageeth (Logos, 2021)

  Sri Lanka is an island with prevalently drumming traditions. Each region has its own classified drums, drumming repertoires, and performance practices kept alive over many centuries. Although, there were significant changes ...
• Interaction of Musicians and Audience during Performances of Hindustani Classical Music 

  Meddegoda, Chinthaka Prageeth; Dias, Ruwin R. (2013)
• Adaptation of the Harmonium in Malaysia: Indian or British Heritage? 

  Meddegoda, Chinthaka Prageeth (2013)
• Voice Cultures in Hindustani Classical Music 

  Meddegoda, Chinthaka Prageeth (2014)
• The Audiovisual Research Collection for Performing Arts (ARCPA) at Universiti Putra Malaysia: Negotiating Ethical Issues in Social Sciences 

  Meddegoda, Chinthaka Prageeth; Musib, Ahmad Faudzi; Jähnichen, Gisa (IASA Journal, 2014)
• Ethnic Labelling: Malaysian Perception on Indian Performing Arts and its Impact on Malay Music 

  Meddegoda, Chinthaka Prageeth (2015)
• Experiencing the Viola in Hindustani Classical Music 

  Meddegoda, Chinthaka Prageeth; Jähnichen, Gisa; Dias, Ruwin Rangeeth (2015)
• Instrumental Ghazal Melayu: A Functional Analysis 

  Meddegoda, Chinthaka Prageeth (2016)
• ගසල්: ගායන විශේෂයක්ද නැතහොත් කාව්‍ය විශේෂයක්ද? 

  Meddegoda, Chinthaka Prageeth (Aesthetic Education Unit, Bathtyharamulla, 2016)

  Attached
• Appropriation of Hindustani Musical Elements in Vocal Parts of Malay Ghazal 

  Meddegoda, Chinthaka Prageeth (University of Malaya, 2016)

  Attached
• The Story of a Failed Business Concept: Intensifying a Drum Production in Sri Lanka 

  Meddegoda, Chinthaka Prageeth (2017)

  Full Paper
• Innovation and Human Failure in Small-Scale Archives - What Do We Need to Learn from Each Other? 

  Musib, Ahmad Faudzi; Homsombat, Thongbang; Meddegoda, Chinthaka Prageeth; Jähnichen, Gisa; Mei, Xiao (IASA Journal, 2018)

  Attached
• Oral Teaching systems versus Ongoing Canonization in Hindustani Vocal Practice. 

  Meddegoda, Chinthaka Prageeth (2018)

  Attached.
• Musical instruments in local taxonomies: The Case of Sri Lankan String Instruments as Perceived through Internet Sources 

  Meddegoda, Chinthaka Prageeth (2018)

  As a mainstream Buddhist country since 300 BC Sri Lankan clergy did for a long time period not permit string instruments as Buddhist sources said listening or playing vina (lute) may cause rebirth and hinder the way to ...
• Moving and Moved Singers: Non-Vocal Embodiments of Vocal Expressions in the Era of Mass Media. 

  Meddegoda, Chinthaka Prageeth; Jähnichen, G. (2019)

  This paper is dedicated to physically moving and emotionally moved singers who combine non-vocal embodiments as an essential content of what their singing conveys. The terms “movement of singers” and the “singers being ...

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