Abstract:
William Banda Makulloluwa (1922–1984) was a musician in Sri Lanka who made a significant con tribution to preserving Sinhalese music. He dedicated his scholarly pursuits to the investigation of
Sinhalese music and the cultural intricacies of Sri Lanka. Undertaking extensive fieldwork from the
1960s to the 1980s, he methodically documented and studied traditional music, with a particular
emphasis on various communities in Sri Lanka. The objective of this study is to investigate the con tribution of Makulloluwa’s musical style, expectations, and ideologies to elevate Sri Lankan tradi tional music. The study is based on the narrative method of qualitative research. Interviews, records,
autobiographies, various reports, and books written by Makulloluwa were used to collect data. Seven
in-depth semi-structured interviews were conducted in November and December 2022 and January
2023 to gain a better understanding of his musical style, expectations, and ideologies. Non-probabil ity purposive and snowball sampling were used as the sampling method. Content analysis was used
to evaluate the data. Research revealed that he used techniques such as recording, documenting,
rearranging, and educating to safeguard the distinct Sinhalese musical melodies. He established a
formal framework for community singing, which helped to establish the foundation for Sinhalese
traditional music. He assumed the task in a proactive manner as a musician, showing genuine interest
in recording and conserving Sinhala traditional tunes. He worked very hard to locate, preserve, and
share these tunes with the next generation. This study emphasizes Makulloluwa's unwavering com mitment to the growth and preservation of Sri Lankan folk dance and music.
