http://repository.lib.vpa.ac.lk/handle/123456789/13 2026-04-20T10:09:43Z 2026-04-20T10:09:43Z Wickramasinghe, W.A.P Jayasiri, Anusha http://repository.lib.vpa.ac.lk/handle/123456789/2484 2025-02-24T07:58:32Z 2024-01-01T00:00:00Z

Issues and theories behind the conservation of two-dimensional (2D) artifacts in Sri Lanka using digital technology Wickramasinghe, W.A.P; Jayasiri, Anusha Conservation of cultural heritage is an area of science that describes how to preserve various products of art, architecture and other cultural works. There are different types of valuable artworks required for conservation in Colombo Museum and some historical temples in Sri Lanka. The aim of this paper is to identify issues and theories behind the conservation of 2D artefact in Sri Lanka using digital technology. As the research methodology, a survey, a case study of digital photos of Bellanwila Temple taken by Lal Hegoda and interviews were used to identify the process, issues and techniques applied for conserving 2D artifacts through digitization. In literature search and analysis, image stitching technique was identified as one of the main technologies used in this area and it was well studied in different perspectives in this research. Further, it was able to identify two main approaches for image stitching as feature based method and direct method by reviewing several research papers in the area of image stitching. Further, it was identified steps applied for the process of developing a panoramic image. Furthermore, several feature based techniques were identified for different types of applications in the subject area with the details of their inherent features and limitations. In this paper, findings of the literature review and the results of the above research methods are discussed in different directions with the identification of issues and theories behind the conservation of two dimensional (2D) artifacts in Sri Lanka using digital technology.

2024-01-01T00:00:00Z Samarasinghe, K http://repository.lib.vpa.ac.lk/handle/123456789/2474 2025-01-02T06:07:23Z 2024-01-01T00:00:00Z

A Biographical Study of William Banda Makulloluwa's Contributions Samarasinghe, K William Banda Makulloluwa (1922–1984) was a musician in Sri Lanka who made a significant con tribution to preserving Sinhalese music. He dedicated his scholarly pursuits to the investigation of Sinhalese music and the cultural intricacies of Sri Lanka. Undertaking extensive fieldwork from the 1960s to the 1980s, he methodically documented and studied traditional music, with a particular emphasis on various communities in Sri Lanka. The objective of this study is to investigate the con tribution of Makulloluwa’s musical style, expectations, and ideologies to elevate Sri Lankan tradi tional music. The study is based on the narrative method of qualitative research. Interviews, records, autobiographies, various reports, and books written by Makulloluwa were used to collect data. Seven in-depth semi-structured interviews were conducted in November and December 2022 and January 2023 to gain a better understanding of his musical style, expectations, and ideologies. Non-probabil ity purposive and snowball sampling were used as the sampling method. Content analysis was used to evaluate the data. Research revealed that he used techniques such as recording, documenting, rearranging, and educating to safeguard the distinct Sinhalese musical melodies. He established a formal framework for community singing, which helped to establish the foundation for Sinhalese traditional music. He assumed the task in a proactive manner as a musician, showing genuine interest in recording and conserving Sinhala traditional tunes. He worked very hard to locate, preserve, and share these tunes with the next generation. This study emphasizes Makulloluwa's unwavering com mitment to the growth and preservation of Sri Lankan folk dance and music.

2024-01-01T00:00:00Z Samarasinghe, K http://repository.lib.vpa.ac.lk/handle/123456789/2393 2024-12-02T07:38:35Z 2024-07-01T00:00:00Z

Rhythms of Resilience: Traditional Drum Production as a Response to Climate Change in Sri Lanka Samarasinghe, K

2024-07-01T00:00:00Z Samarasinghe, K http://repository.lib.vpa.ac.lk/handle/123456789/2392 2024-11-25T08:55:13Z 2023-12-06T00:00:00Z

Sinhalese Distinct Singing Style: An Exploration of Musician W. B. Makulloluwa Samarasinghe, K Traditional music, as an essential aspect of Sri Lankan civilization’s long-term growth system, inherits its cultural heritage in a number of ways. Throughout human history, music has been an important cultural and social factor. William Banda Makulloluwa was one of the pioneers in the study of folk music in Sri Lanka. The research objective is to investigate Makulloluwa’s methods in building and sustaining the Sinhalese musical style. This study is based on the narrative method of qualitative research. Interviews, records, autobiographies, various reports, and books written by Makulloluwa were used to collect data. Seven in-depth semi-structured interviews were conducted in November, December 2022 and January 2023 to gain a better understanding of Makulloluwa’s musical style, expectations, and ideologies. Non-probability purposive and snowball sampling were used as the sampling method. Content analysis was used to evaluate the data. After analyzing data, it was discovered that Makulloluwa used recording, documenting, rearranging, and educating methods to preserve the old Sinhalese musical melodies unique to Sinhalese. He established a formal system of local singing and laid the foundation for the Sinhala folk music style. As a musician himself, Makulloluwa took the initiative and a selfless interest to harbor and document Sinhala folk songs while dedicating a magnanimous effort by identifying, conserving, and presenting them to the next generation. According to the study, Makulloluwa is deeply committed to preserving and promoting Sri Lankan folk music and dance.

2023-12-06T00:00:00Z